'Well good evening, my name is Jeremy Hardy and I'm a comedian who likes to make wry witty satirical observations about the society we live in -- but I prefer to keep them to myself, thank you very much.'
Edited by his wife, Katie Barlow and his long-time producer David Tyler, this comprehensive celebration of Jeremy Hardy's work is introduced by Jack Dee and Mark Steel. Further reflections on Jeremy come from Rory Bremner, Paul Bassett Davies, Jon Naismith, Francesca Martinez, Sandi Toksvig, Victoria Coren Mitchell, Andy Hamilton, Graeme Garden and Hugo Rifkind. Katie Barlow also provides a moving Afterword.
Jeremy Hardy, who died in February 2019, was perhaps the most distinctive and brilliant comedian to arise from the 80s Alternative Comedy circuit. He regularly entertained the millions who heard his outrageous rants on The News Quiz, his legendary singing on Sorry I Haven't a Clue, or his hilarious monologues and sketches on the award-winning Jeremy Hardy Speaks to The Nation and Jeremy Hardy Feels It.
Often referred to as 'the comedian's comedian', Jeremy's comedy could be both personal and political, ranging in topics from prison reform to parenting, from British identity to sex. His comedy could be biting, provocative and illuminating, but it could also be surreal, mischievous and, at times, very silly. And while Jeremy's unwavering socialism was a thread that ran throughout his comedy, his greatest skill was that, whatever their political beliefs, Jeremy always brought his audience along with him.
Jeremy Hardy Speaks Volumes is a fitting celebration of this brilliant comedian. Introduced by Jack Dee and Mark Steel and containing material from his stand-up to his radio monologues and political satire to the joyfully silly gems, as well as tributes from his friends and fellow comedians, it is curated to encompass everything about Jeremy that fans adored. Edited by Katie Barlow and David Tyler, Jeremy Hardy Speaks Volumes is wise, daft, outrageous, personal and, above all, very funny: like Jeremy himself.
West Indies and Pakistan are the visitors this coming season, and here you'll find comprehensive Test match and limited-overs records and career records to help you follow the action,
County cricket is covered in unrivalled depth, with biographies of all players registered to the counties at the start of the season, full coverage of last summer's events and a fixture list for all major domestic matches in 2020.
There are also sections on women's cricket and the major domestic T20 competitions from around the world, which in 2020 will include The Hundred.
For any cricket fan, the season is never complete without a copy of Playfair to guide you through it all.
Following Neville Cardus's assertion that 'there can be no summer in this land without cricket', Hamilton plotted the games he would see in 2019 and write down reflectively on some of the cricket that blessed his own sight. It would be captured in the context of the coming season in case subsequent summers and the imminent arrival of The Hundred made that impossible. He would write in the belief that after this season the game might never be quite the same again.
He visits Welbeck Colliery Cricket Club to see Nottinghamshire play Hampshire at the tiny ground of Sookholme, gifted to the club by a local philanthropist who takes money on the gate; his village team at Menston in Yorkshire; the county ground at Hove; watches Ben Stokes's heroics at Headingley, marvels at Jofra Archer's gift of speed in a Second XI fixture for Sussex against Gloucestershire in front of 74 people and three well-behaved dogs; and realises when he reaches the last afternoon of the final county match of the season at Taunton, 'How blessed I am to have been born here. How I never want to live anywhere else. How much I love cricket.'
Born to a single mother in 1915 Baltimore, Billie Holiday had her first run-in with the law at aged 13. But Billie Holiday is no victim. Her memoir tells the story of her life spent in jazz, smoky Harlem clubs and packed-out concert halls, her love affairs, her wildly creative friends, her struggles with addiction and her adventures in love. Billie Holiday is a wise and aphoristic guide to the story of her unforgettable life.
Wagner's last music-drama tells the story of Parsifal, the 'pure fool, knowing through compassion', who has been called to rescue the Kingdom of the Grail from the sins that have polluted it. The Grail is a symbol of purity in a world of lust and power, but although Parsifal is the culmination of Wagner's life-long obsession with the religious frame of mind, the redemption sought by his characters is far from the Christian archetype. For Wagner, redemption occurs in this life, when compassion prevails over enslavement, and purity replaces spiritual pollution. His music here ties together suffering and contrition, sin and forgiveness, downfall and redemption in an inextricable knot, healing the fractures and uniting the warring elements in human life in a way that is clear, convincing and uncanny. More than any other of his works, Parsifal expresses in music a depth of feeling for which we do not have words.
This short but penetrating book, by a writer who was uniquely both a leading philosopher and musicologist, shows us how Wagner achieves this profound work, explaining the story, its musical ideas, and their coming together into a sublime whole which gives us the musical equivalent of forgiveness and closure. There are few writers who can so enhance our understanding of one of the greatest works in western music.
Olia Hercules owes some of her earliest and fondest memories to the 'summer kitchens' of her parents, grandparents, neighbours and friends in Ukraine.
These small buildings are separate from the main house, and always positioned near a fruit plot or veg patch so families can enjoy the home-grown produce as it ripens, and preserve the surplus in preparation for winter. The number of summer kitchens is dwindling these days, but there is still so much we can learn about making the most of the vibrant summer produce throughout the rest of the year. Summer Kitchens contains recipes such as Borsch with duck and smoked pears, Burnt aubergine butter and tomato toast, Pot roast chicken with herb creme fraiche, Nettle, sorrel and wild garlic soup and Poppyseed babka.
With beautiful photography and writing on the people and lush landscapes of Ukraine, this book will transport you to idyllic summer kitchens past and present.
Following Neville Cardus's assertion that 'there can be no summer in this land without cricket', Hamilton plotted the games he would see in 2019 and write down reflectively on some of the cricket that blessed his own sight. It would be captured in the context of the coming season in case subsequent summers and the imminent arrival of The Hundred made that impossible. He would write in the belief that after this season the game might never be quite the same again.
He visits Welbeck Colliery Cricket Club to see Nottinghamshire play Hampshire at the tiny ground of Sookholme, gifted to the club by a local philanthropist who takes money on the gate; his village team at Menston in Yorkshire; the county ground at Hove; watches Ben Stokes's heroics at Headingley, marvels at Jofra Archer's gift of speed in a Second XI fixture for Sussex against Gloucestershire in front of 74 people and three well-behaved dogs; and realises when he reaches the last afternoon of the final county match of the season at Taunton, 'How blessed I am to have been born here. How I never want to live anywhere else. How much I love cricket.'
As a boy, James Rebanks's grandfather taught him to work the land the old way. Their family farm in the Lake District hills was part of an ancient agricultural landscape: a patchwork of crops and meadows, of pastures grazed with livestock, and hedgerows teeming with wildlife. And yet, by the time James inherited the farm, it was barely recognisable. The men and women had vanished from the fields; the old stone barns had crumbled; the skies had emptied of birds and their wind-blown song.
English Pastoral is the story of an inheritance: one that affects us all. It tells of how rural landscapes around the world were brought close to collapse, and the age-old rhythms of work, weather, community and wild things were lost. And yet this elegy from the northern fells is also a song of hope: of how, guided by the past, one farmer began to salvage a tiny corner of England that was now his, doing his best to restore the life that had vanished and to leave a legacy for the future.
This is a book about what it means to have love and pride in a place, and how, against all the odds, it may still be possible to build a new pastoral: not a utopia, but somewhere decent for us all.